Monday, January 15, 2018

Former Slave & Pioneer Biddy Mason 1891 Evergreen Cemetery


Bridget "Biddy" Mason (August 15, 1818 – January 15, 1891) was an African-American nurse and a Californian real estate entrepreneur and philanthropist. She is the founder of the First African Methodist Episcopal Church in Los Angeles, California. She was born in Hancock County, Georgia.[1]

Early life

Biddy Mason was born into slavery on August 15, 1818, in Hancock County, Georgia.[1] She was given the name Bridget with no surname and was later nicknamed Biddy. Bridget was given to Robert Smith and his bride as a wedding present. After the wedding, Smith took his new wife to Mississippi and moved his slaves there.

Missionaries from The Church of Jesus Christ of Latter-day Saints (Mormon) proselytized in Mississippi. They taught Smith and his family and they converted. Slaves were not baptized in the church as a matter of policy. Members were encouraged to free their slaves, but Smith chose not to do so.

Moving west

The Smith household joined a group of other church members from Mississippi to meet the Mormon exodus from Nauvoo, Illinois, in 1847. The group traveled to Pueblo, Colorado, and joined up with the sick detachment from the Mormon Battalion.[2] They later joined the main body of Mormons crossing the plains and settled in the Salt Lake Valley, Utah Territory.




Drawing of San Bernardino, 1852, 
where she was illegally held captive in a Mormon settlement


Freedom

Church leader Brigham Young sent a group of Mormons to Southern California in 1851. Robert Smith, his family, and his slaves joined them in San Bernardino, California, sometime later. Bridget was among a large group of slaves in the San Bernardino settlement.[3] As part of the Compromise of 1850, California was admitted as a free state and any slave who resided in the state or was born in the state was free. Bridget had lived in California for four years and some of the other slaves had been born in California, so they were covered by the law.[4] Bridget wanted to be free,[4] but was under the control of Robert Smith and ignorant of the laws and her rights.[5]

In 1856, Smith decided to move to the slave state of Texas and sell his slaves there. He told his slaves that they would be free in Texas, but Bridget did not believe him. She did not want to go to Texas and was worried she would be separated from her children like she was from her mother.[4]

Bridget, helped by friends, attempted to escape from Smith. She and a group of Smith's other slaves traveled towards Los Angeles before Smith caught up with them. He took her and the other slaves and camped in canyon near Santa Monica. One of his slaves, Hannah, was having a baby which made it difficult to travel. Lizzy Flake Rowan, who had also been kept in slavery with Biddy in San Bernardino but had since been set free, told Frank Dewitt, the sheriff of Los Angeles county, of Smith's plans (David W. Alexander was actually the sheriff of Los Angeles). He issued a writ of habeas corpus and sent a local posse, who caught up with Smith and took the slaves into protective custody.[6]

Bridget petitioned a Los Angeles court for her freedom. Smith claimed that Bridget was her family and she wanted to go to Texas.[7] He then bribed her lawyer to not show up.[4] She was not allowed to testify in court, since California law prohibited black people from testifying against white people. The judge presiding over the case, Benjamin Ignatius Hayes, interviewed Bridget and found she did not want to go to Texas and granted her freedom as a resident of a free state,[8] as well as the freedom of the other slaves held captive by Smith (Bridget's three daughters—Ellen, Ann, and Harriet—and ten other African-American women and children). In 1860, Mason received a certified copy of the document that guaranteed her freedom.[9]

Bridget had no legal last name as a slave. After emancipation, she chose to be known as Bridget Biddy Mason. Bridget's surname, Mason, came from the middle name of Amasa Lyman, who was the mayor of San Bernadino and a Mormon Apostle; the Lyman household being one with which Bridget had spent a considerable amount of time.



Los Angeles

After becoming free, she worked in Los Angeles as a nurse and midwife. One of her employers was the noted physician John Strother Griffin. Saving carefully, she was one of the first African Americans to purchase land in the city. As a businesswoman, she amassed a relatively large fortune of nearly $300,000, which she shared generously with charities. Mason also fed and sheltered the poor, and visited prisoners. She was instrumental in founding a traveler's aid center, and an elementary school for black children. Because of her kind and giving spirit, many called her "Auntie Mason" or "Grandma Mason."




In 1872, Mason was a founding member of First African Methodist Episcopal Church of Los Angeles, the city's first black church. The organizing meetings were held in her home on Spring Street. She donated the land on which the church was built. This land is now the site of Biddy Mason Park, a Los Angeles city park and site of an art installation describing her life.[10][11]






Mason spoke fluent Spanish and was a well-known figure in the city. She dined on occasion at the home of Pio Pico, the last governor of Alta California and a wealthy Los Angeles land owner.[12]



Death and posthumous honors

After Mason's death on January 15, 1891, she was buried in an unmarked grave in Evergreen Cemetery in the neighborhood now known as Boyle Heights. On March 27, 1988, in a ceremony attended by the mayor of Los Angeles and members of the church she founded, the grave was marked with a tombstone.[13]







Mason is an honoree in the California Social Work Hall of Distinction. She was also celebrated on Biddy Mason Day on November 16, 1989.[14] One of artist Sheila Levrant de Bretteville's best-known pieces is "Biddy Mason's Place: A Passage of Time,”[15] an 82-foot concrete wall with embedded objects in downtown Los Angeles (near where Mason lived) that tells the story of Mason's life.[16]




Notes

1. Hayden, Dolores (1995). The Power of Place: Urban Landscapes as Public History. MIT Press. p. 274. Retrieved 5 May 2014. 1860 Census lists Mississippi, but 1870 and 1880 list Georgia as well as her LA Times obituary
2. "The Forgotten Pioneers". Part In Norma B. Ricketts, Crossroads, Vol. 8, No. 2 and 3 (Spring/Summer 1997).
3. "The Latter-Day Saints' Millennial Star, Volume 17". p. 63. Most of those who take slaves there pass over with them in a little while to San Bernardino... How many slaves are now held there they could not say, but the number relatively was by no means small. A single person had taken between forty and fifty, and many had gone in with smaller numbers.
4. Camille Gavin (2007). Biddy Mason: A Place of Her Own. America Star Books.
5. Benjamin Hayes. "Mason v. Smith". none of the said persons of color can read and write, and are almost entirely ignorant of the laws of the state of California as well as those of the State of Texas, and of their rights
6. Delilah Leontium Beasley (1919). The Negro Trail Blazers of California: A Compilation of Records from the California Archives in the Bancroft Library at the University of California, in Berkeley; and from the Diaries, Old Papers, and Conversations of Old Pioneers in the State of California. Times Mirror printing and binding house. p. 90.
7. Honey M. Newton, CNM. Zion's Hope: Pioneer Midwives and Women Doctors in Utah.
8. Mason v. Smith. "The Bridget 'Biddy' Mason Case" (1856).
9. Reiter, Joan S. (1978), The Old West: The Women, p. 213. Time-Life Books.
10. "Biddy Mason Park - Downtown Los Angeles Walking Tour". University of Southern California. 
11. "Biddy Mason Park - the city project". UCLA - Remapping-LA. Archived from the original on 16 April 2014. 
12. "African-Americans and the Early Pueblo of Los Angeles". City of Los Angeles. 2011. Archived from the original on 2013-04-04. 
13. Greenstein, Albert (1999). "Bridget "Biddy" Mason". The Historical Society of Southern California. Archived from the original on 3 March 2013. 
14. "From Slavery to Entrepreneur, Biddy Mason". African American Registry. Thursday, November 16, 1989 was declared Biddy Mason Day and a memorial of her achievements was unveiled at the Broadway Spring Center located between Spring Street and Broadway at Third Street in Los Angeles.
15. "Betye Saar, "Biddy Mason: A Passage of Time" and "Biddy Mason: House of the Open Hand"; Sheila Levrant de Bretteville, "Biddy Mason: Time and Place", Los Angeles". Publicartinla.com. 
16. "Brooklyn Museum on Biddy Mason: Time and Place



References

Bolden, Tonya. (1996). The Book of African-American Women: 150 Crusaders, Creators, and Uplifters, Adams Media Corporation
Mungen, Donna. (1976). The Life and Times of Biddy Mason
Reiter, Joan S. (1978). The Old West: The Women. Time-Life Books.
Sherr, Lynn and Jurate Kazickas. (1994). Susan B. Anthony Slept Here. A Guide to American Women's Landmarks, Random House.
Sims, Oscar L. "Profile of Biddy Mason." (1993). Epic Lives: One Hundred Black Women Who Made a Difference, Smith, Jessie Carney, ed. Visible Ink Press
Cohen, Hannah S. Harris, Gloria G. Women Trailblazers of California: Pioneers to the Present



Further reading


Hull, LeAnne von Neumeyer (24 March 2006), "Bridget Biddy Smith Mason: Her Legacy Among the Mormons," Black Voice News, Brown Publishing Company


Thursday, January 11, 2018

"The Story of Temple Drake" Actor Jack La Rue 1984 Holy Cross Cemetery


Jack La Rue (May 3, 1902 in New York City, New York – January 11, 1984 in Santa Monica, California) was an American film and stage actor.[1]


Early years

La Rue was born Gaspere Biondolillo[1] in New York City.[2]


Stage

La Rue went from high school to his first acting job, in Otis Skinner's road company production of Blood and Sand.[2] He performed in Broadway plays from around 1923 to 1931. According to La Rue, while appearing in Mae West's play Diamond Lil, he was spotted by Howard Hawks, who offered him a part in the film Scarface (1932), starring Paul Muni.[3]


Film

He moved to Hollywood, where he appeared in numerous films. However, Scarface was not one of them. La Rue stated in a newspaper article that, after four days, Hawks had to replace him with George Raft because La Rue was taller than Muni and had a more powerful voice.[3] Later, however, Raft turned down the role of the despicable villain in The Story of Temple Drake (1933), fearing it would damage his screen image, so the part went to La Rue. 


Sometimes mistaken for Humphrey Bogart, he played thugs and gangsters for the most part. However, director Frank Borzage atypically cast him as a priest in the 1932 version of A Farewell to Arms simply because, according to newspaper columnist Hubbard Keavy, he was "tired of seeing conventional characters."[2] La Rue stated he turned down a role in The Godfather (1972) and many parts in the television series The Untouchables because of the way they portrayed Italian-Americans.[3]


Personal life

He was married three times.[1] La Rue married Los Angeles socialite Constance Deighton Simpson on September 22, 1938, in London.[4] She obtained a divorce on December 17, 1946, charging him with mental cruelty.[4] In 1955, he obtained an annulment from former Baroness Violet Edith von Rosenberg after six years of marriage, claiming she had only married him to obtain American citizenship and that they separated after less than two months.[5] He married Anne Giordano on August 12, 1962; she obtained an annulment in 1967.[6] Jack La Rue had no children.


Death

La Rue died of a heart attack at Saint John's Health Center in Santa Monica, California,[7] at the age of 81. He was buried in Holy Cross Cemetery, Culver City, California.





Partial filmography

The Lucky Devil (1925) as Prizefight Attendant (uncredited)
The King on Main Street (1925) as Member of King's Retinue in Paris Hotel Lobby (uncredited)
Fine Manners (1926) as New Year's Eve Celebrant (uncredited)
East Side, West Side (1927) as Dining Extra (uncredited)
The House of Terror (1928)
Follow the Leader (1930) as A Gangster
Night World (1932) as Henchman (uncredited)
The Mouthpiece (1932) as Joe Garland (uncredited)
While Paris Sleeps (1932) as Julot
Radio Patrol (1932) as Slick (uncredited)
Blessed Event (1932) as Louis De Marco (uncredited)
The All American (1932) as Joe Fiore
Virtue (1932) as Toots
Three on a Match (1932) as Ace's Henchman (uncredited)
I Am a Fugitive from a Chain Gang (1932) as Ackerman (uncredited)
Man Against Woman (1932) as Alberti
A Farewell to Arms (1932) as The Priest
Lawyer Man (1932) as Spike Murphy (uncredited)
The Woman Accused (1933) as Little Maxie
42nd Street (1933) as Mug with Murphy (uncredited)
Christopher Strong (1933) as Carlo
Terror Aboard (1933) as Gregory Cordoff
The Story of Temple Drake (1933) as Trigger
The Girl in 419 (1933) as Sammy


Gambling Ship (1933) as Pete Manning


Headline Shooter (1933) as Ricci

To the Last Man (1933) as Jim Daggs
The Kennel Murder Case (1933) as Eduardo Grassi
Miss Fane's Baby Is Stolen (1934) as Bert
Good Dame (1934) as Bluch Brown


The Fighting Rookie (1934) as Patrolman Jim Trent

Straight Is the Way (1934) as Monk
Take the Stand (1934) as George Gaylord


No Ransom (1934) as Larry Romero



Secret of the Chateau (1934) as Lucien Vonaire

Calling All Cars (1935) as Jerry Kennedy
Times Square Lady (1935) as Jack Kramer
Men of the Hour (1935) as Nick Thomas


The Headline Woman (1935) as Phil Zarias

Under the Pampas Moon (1935) as Bazan
The Daring Young Man (1935) as Cubby
After the Dance (1935) as Mitch
Little Big Shot (1935) as Doré
Special Agent (1935) as Jake Andrews
His Night Out (1935) as Joe Ferranza
Waterfront Lady (1935) as Tom Braden
The Spanish Cape Mystery (1935) as Gardner
Hot Off the Press (1935) as Bill Jeffrey
Remember Last Night? (1935) as Baptiste
Strike Me Pink (1936) as Mr. Thrust
The Bridge of Sighs (1936) as Packy Lacy
In Paris, A.W.O.L. (1936) as Soldier


Dancing Pirate (1936) as Lt. Chago (Baltazar's Aide)

It Couldn't Have Happened – But It Did (1936) as Smiley Clark
Born to Fight (1936) as Smoothy Morgan
A Tenderfoot Goes West (1936) as James Killer Madden
Ellis Island (1936) as Dude
Yellow Cargo (1936) as Al Perrelli
Go West, Young Man (1936) as Rico in 'Drifting Lady'
Mind Your Own Business (1936) as Cruger
Her Husband Lies (1937) as 'Trigger, ' Gunman
That I May Live (1937) as Charlie
Captains Courageous (1937) as Priest
Dangerous Holiday (1937) as Gollenger
Trapped by G-Men (1937) as Fred Drake
Arson Gang Busters (1938) as Bud Morgan
Under the Big Top (1938) as Ricardo Le Grande
Valley of the Giants (1938) as Ed Morrell
I Demand Payment (1938) as Smiles Badolio
Murder in Soho (1939) as Steve Marco
The Gang's All Here (1939) as Alberni
Big Town Czar (1939) as Mike Luger
In Old Caliente (1939) as Sujarno
Charlie Chan in Panama (1940) as Manolo
Forgotten Girls (1940) as Eddie Nolan
Enemy Agent (1940) as Alex
The Sea Hawk (1940) as Lt. Ortega
Fugitive from a Prison Camp (1940) as Red Nelson
East of the River (1940) as Frank 'Frisco' Scarfi
Footsteps in the Dark (1941) as Ace Vernon
Paper Bullets (1941) as Mickey Roman
Ringside Maisie (1941) as Ricky Du Prez
Gentleman from Dixie (1941) as Thad Terrill


Hard Guy (1941) as Vic Monroe



Swamp Woman (1941) as Pete Oliver / Pierre Pertinax Pontineau Briand Broussicourt d'Olivier

A Desperate Chance for Ellery Queen (1942) as Tommy Gould
Pardon My Sarong (1942) as Tabor (uncredited)
Highways by Night (1942) as Johnny Lieber, Gangster


X Marks the Spot (1942) as Marty Clark

The Payoff (1942) as John Angus
American Empire (1942) as Pierre- Beauchard Henchman
You Can't Beat the Law (1943) as Cain
A Gentle Gangster (1943) as Hugo
Secret Service in Darkest Africa (1943) as Hassan [Ch. 6] (uncredited)
The Law Rides Again (1943) as Duke Dillon
The Girl from Monterrey (1943) as Al Johnson
A Scream in the Dark (1943) as Det. Lt. Cross
Never a Dull Moment (1943) as Joey
Pistol Packin' Mama (1943) as Johnny Rossi
The Sultan's Daughter (1943) as Rata
Smart Guy (1943) as Matt Taylor
The Desert Song (1943) as Lieutenant Bertin
Follow the Leader (1944) as Larry
Machine Gun Mama (1944) as Jose
Leave It to the Irish (1944) as Rockwell
The Last Ride (1944) as Joe Genna


Dangerous Passage (1944) as Mike Zomano

Steppin' in Society (1945) as Bow Tie
The Spanish Main (1945) as Lt. Escobar
Road to Utopia (1945) as LeBec
Cornered (1945) as Diego, Hotel Valet
Dakota (1945) as Suade
Murder in the Music Hall (1946) as Bruce Wilton
In Old Sacramento (1946) as Laramie
Santa Fe Uprising (1946) as Bruce Jackson
My Favorite Brunette (1947) as Tony


Bush Pilot (1947) as Paul Girard


Robin Hood of Monterey (1947) as Don Ricardo Gonzales


No Orchids for Miss Blandish (1948) as Slim Grisson

For Heaven's Sake (1950) as Tony Clark
Ride the Man Down (1952) as Kennedy
Slaughter on Tenth Avenue (1957) as Father Paul (uncredited)
40 Pounds of Trouble (1962) as Nick the Greek (uncredited)
For Those Who Think Young (1964) as Cronin's Business Associate
Robin and the 7 Hoods (1964) as Tomatoes
The Spy in the Green Hat (1967) as Federico 'Feet' Stilletto
Paesano: A Voice in the Night (1975) as Bartender
Won Ton Ton, the Dog Who Saved Hollywood (1976) as Silent Film Villain (final film role)


References

1. "Jack LaRue, Actor, Is Dead; In 200 Films, Often as Villain". The New York Times. United Press International. January 13, 1984.
2. Hubbard Keavy (April 26, 1933). "Screen Life In Hollywood". Altoona Tribune. p. 4 – via Newspapers.com. open access publication – free to read
3. "Yesterday's Stars: La Rue doesn't like gangster stereotypes". The Mercury. Copley News Service. November 8, 1975. p. 40 – via Newspapers.com. open access publication – free to read
4. "Jack La Rue's Wife Is Divorced From Movie's [sic] Bad Man". Nevada State Journal. December 17, 1946. p. 2 – via Newspapers.com. open access publication – free to read
5. "Jack La Rue Marriage to Ex-Baroness Ended". The Bridgeport Post. Associated Press. May 13, 1955 – via Newspapers.com. open access publication – free to read
6. "Mrs. Jack La Rue Given Annulment". The Daily Mail. Associated Press. February 16, 1967. p. 16 – via Newspapers.com. open access publication – free to read
7. "Movie bad guy Jack LaRue dies". The Montreal Gazette. United Press International. January 12, 1984. p. D-9. 


Friday, January 5, 2018

"Stalag 17" Actor Harvey Lembeck 1982 Eden Cemetery


Harvey Lembeck (April 15, 1923 – January 5, 1982) was an American comedic actor best remembered for his role as Cpl. Rocco Barbella on The Phil Silvers Show (a.k.a. Sgt. Bilko) in the late 1950s, and as the stumbling, overconfident quasi-outlaw biker Eric Von Zipper in beach party movies during the 1960s. He also turned in noteworthy performances in both the stage and screen versions of Stalag 17. He was the father of actor and director Michael Lembeck and actress Helaine Lembeck.


Early life

Born in Brooklyn, Lembeck started his career right out of New Utrecht High School, as a dancer at the 1939/40 New York World's Fair. He was half of an exhibition dance team known as The Dancing Carrolls. His partner, Caroline Dubs, became his wife.[1]

The son of a Brooklyn button manufacturer, Lembeck yearned for a career as a radio sports announcer. Following his discharge from the United States Army at the end of World War II in 1945, he attended New York University, obtaining a degree in radio arts in 1947. However, he chose the stage as a career upon the advice of one of his instructors, Prof. Robert Emerson, who had seen him perform in college plays.[2]

Lembeck was Jewish.[3]


Career

Two weeks after graduation, Lembeck won the role of Sam Insigna in Mister Roberts, which he played on Broadway for nearly three years.

Lembeck made three movies for 20th Century Fox, You're in the Navy Now, Fourteen Hours, and The Frogmen, all released in the first half of 1951. 


He went back to Broadway as Sgt. Harry Shapiro in Stalag 17,[4] subsequently playing the same role in the film version directed by Billy Wilder, earning the Theater Owners of America's Laurel Award for outstanding comedy performance and best possibility for stardom. 


From 1952 to 1954 Lembeck also made nine other films, mostly playing military roles.

In 1954, he returned to Broadway, appearing in the play Wedding Breakfast.[4] That same year, he appeared with Skip Homeier in the episode "Eye for an Eye" of the NBC legal drama Justice, based on case studies of the Legal Aid Society of New York.[5] 


His stint with Phil Silvers' popular Sergeant Bilko series began in 1955. Lembeck played Bilko's sidekick, Corporal Rocco Barbella. The show ran for four years.

Lembeck also performed onstage in 1955 in the musical revue Phoenix '55, and from 1959-1961 was the standby for the role of Fiorello LaGuardia in the musical Fiorello!.[4]

1960s and 1970s

In the 1961-1962 television season, Lembeck played a theatrical agent, Jerry Roper, in the ABC sitcom The Hathaways, starring Peggy Cass and Jack Weston as "parents" to the performing Marquis Chimps. He appeared twice as "Al" in "Variations on a Theme" and "Music Hath Charms" (both 1961) on another ABC sitcom, The Donna Reed Show.

Having spent a great deal of his adult life in uniform, Lembeck once again donned Navy togs in the 1962-1963 season to co-star with Dean Jones in the NBC sitcom Ensign O'Toole. He co-starred with Steve McQueen in Love with the Proper Stranger.


Harvey Lembeck spent part of the early 1960s playing the lovable bad guy malaprop Eric Von Zipper in seven American International beach party films, with Frankie Avalon and Annette Funicello. (He did not appear in the second "beach" film, 1964's Muscle Beach Party.) The Von Zipper character, leader of the Rat Pack motorcycle gang, was a parody of Marlon Brando's role in The Wild One (Von Zipper reveals in Beach Blanket Bingo that one of his idols was "Marlo Brandon.") Among other things, Von Zipper pronounced his judgments on others by saying "Him, I like," or "Him, I do not like." 


In 1964 he also co-starred with Debbie Reynolds in The Unsinkable Molly Brown.

In 1964, Jack Kosslyn of the Mercury Theatre asked Lembeck to take over his actors' workshop. Lembeck took this opportunity to create his comedy workshop. Initially working with comedy scripts, he soon ran out of good comedy material and found that improv was a wonderful tool to teach and exercise comedy. He realized that the improv method, new in the early 1960s, was one of the best ways to develop actors' comedy instincts. 

Lembeck returned to the theatre to star as Sancho Panza in the first national company of Man of La Mancha. President Lyndon Johnson chose this company to give a command performance at the White House.


During the late 1960s and 1970s, Lembeck became a mainstay on television, making over 200 guest appearances, including Ben Casey, Mr. Novak, The Munsters, The Man from U.N.C.L.E., Route 66, The Monkees, Night Gallery, It Takes a Thief, The Partridge Family, Chico and the Man, Vega$, All in the Family, Batman and Mork and Mindy.


Lembeck also directed the road companies of Stalag 17 and Mister Roberts, along with the revues A Night at the Mark in San Francisco and Flush in Las Vegas.


Death

Lembeck continued to perform and teach up until his death from a heart attack on January 5, 1982. He was performing in an episode of Mork and Mindy when he took ill, collapsed and died. In an interview taped shortly before his own death in 1985, Phil Silvers said he was shocked and saddened by the untimely death of his friend Lembeck, and missed him terribly.[6]



Harvey Lembeck is buried at Eden Cemetery in Mission Hills, California.





Theatrical appearances

Mister Roberts (2/18/48-1/6/1951, 1157 performances, at the Alvin Theatre) – Insigna (with Karl Lukas, Tige Andrews, Murray Hamilton, all from The Phil Silvers Show)
Stalag 17 (5/8/51-6/21/52, 472 performances, at the 48th Street Theatre) – Sgt. Harry Shapiro (with Robert Strauss, Allan Melvin, Bob Shawley, all from The Phil Silvers Show; Strauss and Lembeck appeared in the filmed version)
Wedding Breakfast (11/20/54-2/26/55, 113 performances, at the 48th Street Theatre) – Norman (with Lee Grant, and Tony Franciosa)
Phoenix '55 (5/23/55-7/17/55, 97 performances, at the Phoenix Theatre; with Nancy Walker)
Oklahoma! (3/19/58-3/30/58, 16 performances, at New York City Center) – Ali Hakim
Man of La Mancha – Sancho Panza (touring company, performed at the White House for President Lyndon B. Johnson)


Selected filmography

You're in the Navy Now (1951)
The Frogmen (1951)
Just Across the Street (1952)


Back at the Front, also known as Willie and Joe Back at the Front (1952)


Stalag 17 (1953)

Between Heaven and Hell (1956)
A View from the Bridge (1962)
The Last Time I Saw Archie (1961)
Love with the Proper Stranger (1963)


Beach Party (1963)

Bikini Beach (1964)


Pajama Party (1964)

The Unsinkable Molly Brown (1964)


Beach Blanket Bingo (1965)


How to Stuff a Wild Bikini (1965)


Sergeant Deadhead (1965)


The Ghost in the Invisible Bikini (1966)

Fireball 500 (1966)
Hello Down There (1969)
There Is No 13 (1974)
Raid on Entebbe (1976) - Mr. Harvey
The Gong Show Movie (1980)


References

1. Staff (March 28, 2013) "Harvey Lembeck Stays Liked" Classic Film and TV Café
2. "Harvey Lembeck and the Ratz and Mice Cast Music of the Beach Party Movies" BeachPartyMovieMusic.com
3. Abramovitch, Ilana and Galvin, Seán (2002) Jews of Brooklyn Boston: Brandeis University Press.
4. "Harvey Lembeck" on the Internet Broadway Database
5. "Justice". The Classic TV Archive.
6. Interview taken from Sgt. Bilko - 50th Anniversary Edition (The Phil Silvers Show) DVD